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Tue. April 22, 2014
James Vincent McMorrow (solo acoustic) | San Francisco, CA |
Presented By Great American Music Hall

Minimum age
for this event is:

6+

Venue Information


Great American Music Hall (MAP)
859 OFarrell St
San Francisco, CA
US 94109

Other Information


Also Appearing:
Carly Ritter

Event Information:
415-885-0750

PLEASE NOTE THAT THIS SHOW IS COMPLETELY SOLD OUT. THERE ARE NO ADDITIONAL TICKETS FOR SALE.

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***PLEASE NOTE THAT THIS SHOW HAS BEEN RESCHEDULED FROM TUESDAY, MARCH 18. ALL ORIGINAL TICKETS WILL BE HONORED. IF YOU PURCHASED TICKETS TO THE ORIGINAL DATE AND CANNOT ATTEND THE POSTPONED SHOW, REFUNDS ARE AVAILABLE AT PLACE OF PURCHASE.***

On January 14, Vagrant released Post Tropical, the second full-length, studio album by Dublin's James Vincent McMorrow.

Written, produced, and performed entirely by McMorrow, Post Tropical was recorded on a pecan farm half a mile from the Mexican border located between El Paso and ruthless bustle of Juarez. Built up slowly and spontaneously from hundreds of non-linear sound files and lyric pages, the result is 10 stunning, meticulously crafted original songs. Its broadened horizons may come as a surprise to everyone but McMorrow himself, who has harbored a lifelong love of hip-hop and atmospheric R&B. "I wanted to give this record the feel and movement of the R&B records that I love," he says.

It's a step forward that is immediately apparent on album opener and first single Cavalier - a brooding twist on the Slow-Jam, which builds quietly from hushed keys and hand-claps to soaring brass, beats and McMorrow's idiosyncratic falsetto. Across the album, the sounds and melodies evolved from a painstaking process of building texture: there are 808s on the haunting Red Dust, looped piano on Looking Out, and 50 mandolins made to sound like a waterfall on The Lakes.

Post Tropical is the follow-up to McMorrow's acclaimed 2011 debut album, Early in the Morning, which Q said, "Sounds both fresh and as if [it's] been in your head forever," and earned McMorrow a #1 debut, a Jools Holland performance, and platinum certification in Ireland. "I'm so proud of that album, but I never longed to be a guy with a guitar," says McMorrow. "The texture of this record is completely different."

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