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Tue. October 27, 2009
An evening with Emilie Autumn - 18+ | San Francisco, CA |
Presented By Great American Music Hall

Minimum age
for this event is:

18+ only admitted

Venue Information

Great American Music Hall (MAP)
859 OFarrell St
San Francisco, CA
US 94109

Other Information

Event Information:
415 885-0750

At this time Great American Music Hall does not have any tickets available for purchase for this event. Note: This does not mean this event is sold out. Contact the venue to purchase tickets.

More Information

www.emilieautumn.com

***Please note that GAMH is only selling General Admission tickets and will NOT be selling the VIP tickets that are offered on other dates of the tour.***


***Please note that this show is 18+ only***

Courtney Love's " anarchy violinist " returns to the stage and is keeping the spotlight all to herself. With appearances on Leno and Letterman , glossy magazine covers, and guest spots on the albums of such artists as Love , Otep , Billy Corgan , and TV's " Metalocalypse ," under her corset strings, Emilie Autumn's devilishly dark lyrics, metal-shredding violin solos, and industrial-strength voice reinvent " gothic " for the masses, and goths have never had so much fun.

Chosen by Interview Magazine as one of their " 14 Artists to Watch ," the Los Angeles-born starlet's theatrical stage show is a sexy circus of glam-rock burlesque, backed by a scantily-clad girl band known to EA's devoted fans as the Bloody Crumpets . But as the sole composer, performer, and producer of her latest full-length album, the double disc " Opheliac ," EA gets personal. Written in the style she calls " Victoriandustrial ," this magnificent musical adventure draws upon EA's background as a child-prodigy classical violinist growing up on the stages of concert halls around the world, and combines it with her passion for harsh industrialism, aggressive metal, and all things Vaudeville. The subject matter of this elaborate concept album is much darker however, bravely and often humorously addressing highly controversial issues ranging from manic depression (the harpsichord-driven title track as well as the contagiously danceable " Swallow " and the epic " Misery Loves Company "), self-mutilation (" Liar ," a terrifying decent into hell), and sexual abuse (" Gothic Lolita ") to suicide (the beautifully ironic " The Art of Suicide "), and touching on EA's real-life experience as a psych ward inmate (the tragically funny " Thank God I'm Pretty ," from the " Opheliac -- Deluxe Edition " Bonus Disc ).


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